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Fiddle Techniques with Stewart Hardy
Fully Booked
Tunes are carefully selected to work as exercises demonstrating particular techniques, whilst at the same time providing a melodic stimulus. Exercises are extracted from the tunes to facilitate applying the technique to other tunes. Many of the tunes are suitable for multi-level workshops, with the teaching of a variety of techniques, requiring greater or lesser technical experience, applied to them. Subject matter includes: bowing technique, left hand technique and general fiddle well-being. In the choice of repertoire emphasis is given to stylistic aspects of the music. A number of considerations are given to the selection of tunes, including their interest to Stewart in his studies, their interest to the general musical community, their demonstration of particular stylistic nuances, and as being representative of a composer’s style.
All sheet music and mp3 files of all the tunes covered are provided and included in the price. Plus recordings of exercises from the course where these are helpful.
The workshops typically take between 7 & 10 people for three days of instruction. The cost covers all food, tuition, refreshments and overnight accommodation.The course cost for the weekend (Friday Lunchtime through to Sunday evening) includes everything by way of meals and refreshments, so no need to spend another penny on anything once you are there. Vegan and vegetarian diets are catered for, as are lactose and gluten intolerance.
Over the weekend there are 10 * 75 minute workshops. Dinner is followed each evening by an informal session led by Stewart. These help reinforce the techniques learned during the day, give you a chance to hear and learn new tunes and teach others some of your own favourites.
Your tutor is available to you from breakfast until bed-time for questions and advice.
Fiddle Techniques with Stewart Hardy
Fully Booked
Tunes are carefully selected to work as exercises demonstrating particular techniques, whilst at the same time providing a melodic stimulus. Exercises are extracted from the tunes to facilitate applying the technique to other tunes. Many of the tunes are suitable for multi-level workshops, with the teaching of a variety of techniques, requiring greater or lesser technical experience, applied to them. Subject matter includes: bowing technique, left hand technique and general fiddle well-being. In the choice of repertoire emphasis is given to stylistic aspects of the music. A number of considerations are given to the selection of tunes, including their interest to Stewart in his studies, their interest to the general musical community, their demonstration of particular stylistic nuances, and as being representative of a composer’s style.
All sheet music and mp3 files of all the tunes covered are provided and included in the price. Plus recordings of exercises from the course where these are helpful.
The workshops typically take between 7 & 10 people for three days of instruction. The cost covers all food, tuition, refreshments and overnight accommodation.The course cost for the weekend (Friday Lunchtime through to Sunday evening) includes everything by way of meals and refreshments, so no need to spend another penny on anything once you are there. Vegan and vegetarian diets are catered for, as are lactose and gluten intolerance.
Over the weekend there are 10 * 75 minute workshops. Dinner is followed each evening by an informal session led by Stewart. These help reinforce the techniques learned during the day, give you a chance to hear and learn new tunes and teach others some of your own favourites.
Your tutor is available to you from breakfast until bed-time for questions and advice.
Fiddle Techniques with Stewart Hardy
Fully Booked
Tunes are carefully selected to work as exercises demonstrating particular techniques, whilst at the same time providing a melodic stimulus. Exercises are extracted from the tunes to facilitate applying the technique to other tunes. Many of the tunes are suitable for multi-level workshops, with the teaching of a variety of techniques, requiring greater or lesser technical experience, applied to them. Subject matter includes: bowing technique, left hand technique and general fiddle well-being. In the choice of repertoire emphasis is given to stylistic aspects of the music. A number of considerations are given to the selection of tunes, including their interest to Stewart in his studies, their interest to the general musical community, their demonstration of particular stylistic nuances, and as being representative of a composer’s style.
All sheet music and mp3 files of all the tunes covered are provided and included in the price. Plus recordings of exercises from the course where these are helpful.
The workshops typically take between 7 & 10 people for three days of instruction. The cost covers all food, tuition, refreshments and overnight accommodation.The course cost for the weekend (Friday Lunchtime through to Sunday evening) includes everything by way of meals and refreshments, so no need to spend another penny on anything once you are there. Vegan and vegetarian diets are catered for, as are lactose and gluten intolerance.
Over the weekend there are 10 * 75 minute workshops. Dinner is followed each evening by an informal session led by Stewart. These help reinforce the techniques learned during the day, give you a chance to hear and learn new tunes and teach others some of your own favourites.
Your tutor is available to you from breakfast until bed-time for questions and advice.
Fiddle Technique
Standard Level
6th – 8th September 2019
Ushaw College, Durham
Join Stewart for a weekend of intensive fiddle tuition in the beautiful surroundings of Ushaw College in Durham. The workshop will typically take between 8 and 12 people from Friday evening until Sunday afternoon.This course can accommodate a broad range of experience and ability, ranging from competent beginner to upper intermediate, but is not suitable for absolute or early beginners. All tuition, resources, accommodation, food and daytime refreshments are included. Sheet music and mp3 files of the tunes covered are sent out in advance, and recordings of exercises from the course are sent on to you afterwards.
These courses are centred around the technical issues that come with playing fiddle music, with as much emphasis on the how as there is on the what. Focusing on left-hand and bowing technique, with stylistic interpretation of the music a key feature, these workshops delve deep into the tunes, extracting exercises to improve technique and allow its application to a wider repertoire. Tunes are carefully selected for their technical or stylistic content whilst also baring in mind practical considerations such as their usefulness in folk music sessions or as dance repertoire. The tunes are taught ‘as if by ear’, meaning they are taught phrase by phrase at a tempo and with sufficient repetition to enable learning without recourse to reading notation, but with notation available at any point should that be desired or necessary. This encourages the development of aural pattern recognition and general musicality, enhancing musicianship and the enjoyment of playing music in social settings.
For further information or to express your interest in this course, please email Ali (jsarts@stewarthardy.co.uk)
- – playing simple dance tunes at steady to mid tempo (e.g. reels and jigs at 50-80 beats per minute)
- – able to clap in time to a tune
- – have basic control of the bow on the string
- – able to slur notes together
- – comfortable in the keys of G,D and A major and familiar with their note names
- – familiarity with C major
- – able to play basic scales without notation
- – able to play at least 2 tunes without notation
- – attend other fiddle workshops
- – play with a community folk music group
- – join in folk music sessions
- – receive tuition on the fiddle/violin
Fiddle Technique
8th – 10th November 2019
Rydal Hall, Ambleside LA22 9LX
Join Stewart in the beautiful surroundings of Rydal Hall in the Lake District, for a weekend of intensive fiddle tuition. The workshop will typically take between 8 and 12 people from Friday evening until Sunday afternoon.This course can accommodate a broad range of experience and ability, ranging from competent beginner to upper intermediate, but is not suitable for absolute or early beginners. All tuition, resources, accommodation, food and daytime refreshments are included. Sheet music and mp3 files of the tunes covered are sent out in advance, and recordings of exercises from the course are sent on to you afterwards.
These courses are centred around the technical issues that come with playing fiddle music, with as much emphasis on the how as there is on the what. Focusing on left-hand and bowing technique, with stylistic interpretation of the music a key feature, these workshops delve deep into the tunes, extracting exercises to improve technique and allow its application to a wider repertoire. Tunes are carefully selected for their technical or stylistic content whilst also baring in mind practical considerations such as their usefulness in folk music sessions or as dance repertoire. The tunes are taught ‘as if by ear’, meaning they are taught phrase by phrase at a tempo and with sufficient repetition to enable learning without recourse to reading notation, but with notation available at any point should that be desired or necessary. This encourages the development of aural pattern recognition and general musicality, enhancing musicianship and the enjoyment of playing music in social settings.
For further information or to express your interest in this course, please email Ali (jsarts@stewarthardy.co.uk)
- – playing simple dance tunes at steady to mid tempo (e.g. reels and jigs at 50-80 beats per minute)
- – able to clap in time to a tune
- – have basic control of the bow on the string
- – able to slur notes together
- – comfortable in the keys of G,D and A major and familiar with their note names
- – familiarity with C major
- – able to play basic scales without notation
- – able to play at least 2 tunes without notation
- – attend other fiddle workshops
- – play with a community folk music group
- – join in folk music sessions
- – receive tuition on the fiddle/violin
Fiddle Technique
20th – 22nd March 2020
Rydal Hall, Ambleside LA22 9LX
3.00 pm start and finish time.
Join Stewart in the beautiful surroundings of Rydal Hall in the Lake District, for a weekend of intensive fiddle tuition. The workshop will typically take between 10 and 15 people from Friday evening until Sunday afternoon.This course can accommodate a broad range of experience and ability, ranging from competent beginner to upper intermediate, but is not suitable for absolute or early beginners. All tuition, resources, accommodation, food and daytime refreshments are included. Sheet music and mp3 files of the tunes covered are sent out in advance, and recordings of exercises from the course are sent on to you afterwards.
These courses are centred around the technical issues that come with playing fiddle music, with as much emphasis on the how as there is on the what. Focusing on left-hand and bowing technique, with stylistic interpretation of the music a key feature, these workshops delve deep into the tunes, extracting exercises to improve technique and allow its application to a wider repertoire. Tunes are carefully selected for their technical or stylistic content whilst also baring in mind practical considerations such as their usefulness in folk music sessions or as dance repertoire. The tunes are taught ‘as if by ear’, meaning they are taught phrase by phrase at a tempo and with sufficient repetition to enable learning without recourse to reading notation, but with notation available at any point should that be desired or necessary. This encourages the development of aural pattern recognition and general musicality, enhancing musicianship and the enjoyment of playing music in social settings.
For further information or to express your interest in this course, please email Ali (jsarts@stewarthardy.co.uk)
- – playing simple dance tunes at steady to mid tempo (e.g. reels and jigs at 50-80 beats per minute)
- – able to clap in time to a tune
- – have basic control of the bow on the string
- – able to slur notes together
- – comfortable in the keys of G,D and A major and familiar with their note names
- – familiarity with C major
- – able to play basic scales without notation
- – able to play at least 2 tunes without notation
- – attend other fiddle workshops
- – play with a community folk music group
- – join in folk music sessions
- – receive tuition on the fiddle/violin
Fiddle Foundation Technique
10th – 12th July 2020
Parcevall Hall, Appletreewick, Skipton, N. Yorks BD23 6DG
3.00 pm start and finish time.
Join Stewart in the beautiful surroundings of Parcevall Hall near Skipton, for a weekend of intensive fiddle tuition. The workshop will typically take between 10 and 15 people from Friday afternoon until Sunday afternoon. The residential weekend fee of £335 covers all food, tuition, daytime refreshments and two nights single occupancy accommodation, some of which is en suite (for medical reasons, then first come first served). The non-residential rate is £250 and includes everything except bed & breakfast. Sheet music and mp3 files of the tunes covered are sent out in advance, and recordings of arrangements created during the course are sent on to you afterwards.
The Fiddle Foundation Technique workshop is a Standard Level course and is being run as an opportunity for musicians unfamiliar with Stewart’s teaching methods to look at, in some detail, the fundamental building blocks that he uses to create stylistic interpretations. He will be teaching some of the basic bowing patterns that help to bring out the distinctive flavour of the most common tune forms. For the left hand, he’ll be concentrating on hand frames and melodic motifs (those note patterns that occur again and again in folk tunes), as well as an approach to ornamentation which is designed to help players access ornaments in a way that is both natural for them and appropriate for the tunes.
This course can accommodate a broad range of experience and ability, ranging from competent beginner to upper intermediate, but is not suitable for absolute or early beginners. All tuition, resources, accommodation, food and daytime refreshments are included. Sheet music and mp3 files of the tunes covered are sent out in advance, and recordings of exercises from the course are sent on to you afterwards.
For further information or to express your interest in this course, please email Ali (jsarts@stewarthardy.co.uk)
- – playing simple dance tunes at steady to mid tempo (e.g. reels and jigs at 50-80 beats per minute)
- – able to clap in time to a tune
- – have basic control of the bow on the string
- – able to slur notes together
- – comfortable in the keys of G,D and A major and familiar with their note names
- – familiarity with C major
- – able to play basic scales without notation
- – able to play at least 2 tunes without notation
- – attend other fiddle workshops
- – play with a community folk music group
- – join in folk music sessions
- – receive tuition on the fiddle/violin
July Fiddle Workshops
Lower Intermediate
Learn a tune and all the fiddle techniques behind it to get the style and groove of the music into your playing. This live workshop will be delivered on Zoom, with notation and audio files provided in advance.
Zoom Workshop
Saturday 25th July: 10:00 – 12:00
Lower Intermediates: Little Fishie (from the Northumbrian Minstrelsy)
Little Fishie (Lower Intermediate): a beautiful and lyrical triple hornpipe from one of the great nineteenth century collections of Northumbrian songs and tunes, Northumbrian Minstrelsy. This is an ideal vehicle for exploring triple time grooves – the notes don’t zip by and a dance tempo is achievable for players who struggle with jigs and reels. It is in the key of G major but includes C sharps and F naturals to challenge our fingering technique. The melody points fiddlers towards mastering the technique of ‘broken thirds’ and we will also look at some basic ornamentation.
For full details, please see the July Fiddle Workshops page
If you haven’t attended a music workshop on Zoom before, here is a page of Zoom Workshop Tips to get the most out of your experience. A strong and reliable internet connection, plus headphones or an external speaker are recommended.
July Fiddle Workshops
Upper Intermediate
Learn a tune and all the fiddle techniques behind it to get the style and groove of the music into your playing. This live workshop will be delivered on Zoom, with notation and audio files provided in advance.
Zoom Workshop
Saturday 25th July: 14:00 – 16:00
Upper Intermediates: Neil Taylor’s Jig (a superb Northumbrian jig by Willie Taylor)
Neil Taylor’s Jig (Upper Intermediate): a wonderful bouncy jig from one of Northumberland’s most celebrated fiddlers, Willie Taylor. This is a great tune for looking at the bouncy, spiky, dotted jig groove preferred by many Northumbrian musicians and exemplified in the playing of Willy Taylor and his colleague Will Atkinson. It requires some discipline with the bow and the workshop will look into the mechanics of the technique and the benefits that it gives. The tune is in G major with a clear structure. Participants should be comfortable with playing jigs at dance tempo. Ornamentation will include rolls, mordents and slides.
For full details, please see the July Fiddle Workshops page
If you haven’t attended a music workshop on Zoom before, here is a page of Zoom Workshop Tips to get the most out of your experience. A strong and reliable internet connection, plus headphones or an external speaker are recommended.
July Fiddle Workshops
Advanced
Learn a tune and all the fiddle techniques behind it to get the style and groove of the music into your playing. This live workshop will be delivered on Zoom, with notation and audio files provided in advance.
Zoom Workshop
Sunday 26th July: 14:00 – 16:00
Advanced: Blaydon Flats (a North East reel by A. Mackintosh associated with the fiddling tradition of James Hill)
Blaydon Flats (Advanced): a classic D major reel, long associated with one of Tynesides most famous fiddlers, James Hill. The tune spans all four strings and an ability to play at speed across this range is needed to get the the full effect this fiddling masterpiece. We will look at various bowing patterns which both enhance the groove of the tune as well as helping to facilitate its speed. In addition we will look at ricochet bowing and the folk fiddler’s version of ‘double stops’ – ringing strings and lazy bows.
For full details, please see the July Fiddle Workshops page
If you haven’t attended a music workshop on Zoom before, here is a page of Zoom Workshop Tips to get the most out of your experience. A strong and reliable internet connection, plus headphones or an external speaker are recommended.
Recordings
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4 days ago
🎶 The Tune VaultWe are coming to the end of another cracking Block of workshops with North East Fiddle School. Many thanks to Grace Smith Music, Chris Meredith and Kevin Lees - Music for their fantastic tuition. Here’s one of the tunes I taught in a video tutorial series, heading for The Tune Vault - a favourite English jig, Flaxley Green Dance.Flaxley Green DanceA fabulous English jig - one of two sent by Robert J. Buckley to Cecil Sharp in the summer of 1911. Mr Buckley had collected tunes from a wheelwright in Abbots Bromley, William (or Henry!) Robinson, in the middle of the nineteenth century, including the celebrated Horn Dance.Flaxley Green Dance | The Tune Vault
Flaxley Green Dance- The Tune Vault by Stewart HardyA fabulous English jig - one of two sent by Robert J. Buckley to Cecil Sharp in the summer of 1911. Mr B...2 weeks ago
Less than a month to go to our Arrangement Techniques course for mixed instruments, which will be my 100th residential JSArts course!* 🥳There is just one place left if you would like to join us. Get in touch quickly, so we can book you in with the venue - the beautiful Shepherds Dene near Riding Mill in Northumberland.We will be learning a lovely selection of tunes, and choosing which to work on - exploring options for introductions & endings, varying instrumentation, creating harmony lines and different ways of accompanying the tune to produce alternate soundscapes and narratives. With a limited number of participants, there will be plenty of time to explore ideas from everyone. All instruments are welcome, and if you require notation in different keys or clefs, that can be provided. Dots and audio files are provided in advance, and any recordings from the weekend are sent on afterwards.*There will be cake! 🎂😊 ... See MoreSee LessThis content isn't available at the moment
When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it, or it's been deleted.2 weeks ago
Finally, a new tune for The Tune Vault, and to pick up where we left off, here’s another sparkling tune by Tyneside fiddle supremo, James Hill in the key of "F for vescence" 🤣 ... See MoreSee LessTykeside (James Hill) | The Tune Vault
Tykeside (James Hill)- The Tune Vault by Stewart HardyThis enigmatically titled reel in F major is another gem by Tyneside fiddling legend James Hill. No tr...Tags
30 Years Collection Bill Elliot Bottle Bank Band CD Launch Community Strings Fiddle Day Frank McLaughlin George Welch Graham Dixon Halsway Manor HISS Holly & Ivy James Hill Jimmy's Fiddle JSArts Maddison's Thread Mick West Trio Minstrelsy Morpeth Gathering North East Fiddle School Northumbrian Shop Solo TFA The Tune Vault Tyneside Fiddle Alliance