Greater emphasis is given to stylistic aspects of the music. A number of considerations are given to the selection of tunes, including: their interest to Stewart in his studies; their interest to the general musical community; their demonstration of particular stylistic nuances; as being representative of a composer’s style. These workshops can be fiddle specific, or tailored for multi-instrument workshops. Subject matter includes:
1. James Hill & Associates – Tyneside’s most famous fiddling son and composer of many wonderful (and notoriously tricky) hornpipes was a member of a thriving musical community. The tunes they have left behind form the core of the North East fiddler’s repertoire.
2. Early Northumbrian – the manuscripts of Henry Atkinson (1694) and William Vickers (1770) form the basis of this fascinating repertoire, including some fine tune forms that have been much neglected, but which now are finding fresh admirers.
3. North East English from the 20th Century – the fiddle tradition has continued uninterrupted in the North East. Moreover, it has been added to by the likes of Jack
Davidson, Willy Taylor, Robin Dunn, Kathryn Tickell and a host of young talent frequenting the sessions around Tyneside.
4. English – for so long the poor cousin of the fiddle repertoire of these islands and often dismissed as a small collection of simplistic tunes for morris dancing, suitable more for beginners than serious fiddlers, this repertoire is finally receiving the long overdue attention it deserves. Thanks to the diligent efforts and generosity of key individuals, what has emerged is a melodically rich and stylistically diverse repertoire, every bit as rewarding and worthy of consideration as its more celebrated island relatives.
5. Own Compositions – Stewart has been writing and recording his own tunes for many years. Some have been been recorded by other artists and used in radio, TV and theatre productions. There is also a substantial number of tunes written as teaching aids.
6. Irish – still the most popular repertoire heard in sessions, and not surprisingly given the number of fantastic fiddle tunes and so many wonderful exponents of them.
7. Scottish – a hugely rich repertoire, very influential on both the Irish and the English, and including not only a fabulous traditional repertoire, but also many outstanding fiddle composers.
8. Contemporary Folk – arguably we are living in a golden age of folk music, with so many outstanding performers on the scene, many of whom are writing tunes in the traditional idiom, but with all the diverse influence of our modern multi-cultural society.
Upcoming EventsJun29Sat7:30 pm Bottle Bank Band in Amble @ The Dovecote CentreBottle Bank Band in Amble @ The Dovecote CentreJun 29 @ 7:30 pm – 9:30 pmJoin us at the new home of the Northumberland Theatre Company in Amble for a concert in the north of Northumberland. Please contact the Dovecote Centre on 01661 713655 for tickets (£10 / £5)Jul12Friall-day Advanced Style & Repertoire (Mix... @ Ushaw College, DurhamAdvanced Style & Repertoire (Mix... @ Ushaw College, DurhamJul 12 – Jul 14 all-dayAdvanced Style & Repertoire (Mixed Instruments) 12th – 14th July 2019. Ushaw College, Durham, DH7 9RH Join Stewart in the beautiful surroundings of Ushaw College in Durham, for a weekend of intensive tuition. This workshop will focus...Sep6Friall-day Fiddle Technique @ Ushaw College, DurhamFiddle Technique @ Ushaw College, DurhamSep 6 – Sep 8 all-dayFiddle Technique Standard Level 6th – 8th September 2019 Ushaw College, Durham Join Stewart for a weekend of intensive fiddle tuition in the beautiful surroundings of Ushaw College in Durham. The workshop will typically take between 8...Sep27Friall-day Advanced Fiddle Technique @ Rydal Hall